considered valuable.
I had never cared much about expensive objects.
What I cared about was documentation.
I removed a thick manila folder tied with red string.
Then an encrypted hard drive.
Finally, an old envelope containing a photograph of Nana Rose.
Inside the folder were original incorporation documents connected to Vanguard Architects.
There were copyright records tied to the earliest designs for Riverbend Commons, one of the company’s largest projects.
There were photographs and copies of documents showing exactly what I had signed—and what had later appeared under my name.